When I returned to playing the piano a couple of years ago, my vague idea was to broaden my repertoire of classical pieces. I’ve done that at this point. I’ve gotten reasonably up to speed on maybe three dozen pieces by Brahms, Schubert, Chopin, Bach, and Debussy. I haven’t tackled anything extremely difficult, and I don’t bother memorizing anything — it doesn’t seem to be worth the effort, even though that’s what you need to do to really master a piece.
This yearI want to be able to sight-read chord notation, something I didn’t learn at all when I was studying the piano as a kid. I’m reasonably good at sight-reading standard musical notation, but show me F-7 and I have to pause to work out the four-note chord this represents (F-A-flat-C-E-flat). Learning this isn’t hard; you just have to stuff it into your brain and fingers.
The way I’m doing it is by using a web site, http://www.pianochord.org, which shows you all the chords laid out on the keyboard, and The Real Book, a book that contains hundreds of songs with the melody shown in standard notation and the accompaniment shown in chord notation (these are apparently known in the music biz as lead sheets). If I can’t work out a chord, I go to the web site (which is displayed on my iPad Mini next to the sheet music). After a few weeks, I’m going to the web site less and less. Now I just have to get to the point where I don’t have to work them out — I can just look at them and play the notes. I’m there with most of the common chords — C7, Cmaj7,G7… Eventually I’ll get there with the rest of them.
Theoretically, the eventual goal of being able to sight-read lead sheets is so I can improvise a left-hand accompaniment to a melody, based on the chord structure. There are books you can read that will teach you how to improvise. And then I can join a cover band, or get gits playing solo in bars where Ican take requests from the inebriated customers: “Hey Rich, play ‘Misty’ for me.” Not sure I’m gonna get there. But I can dream, I guess. “Misty” isn’t actually that hard.