I’d rather write than talk about writing

This is the weekend when the Arisia science fiction convention takes place in Boston.  Back in the day, I was the guest of honor at the first Arisia.  It was just about the last science fiction convention I’ve attended.  This can’t have had a good effect on my writing career (such as it is).  But I just don’t like talking about writing, or publishing, or science fiction, or anything related thereunto.  But I’m happy to write about that stuff here!

Many (perhaps most) of my acquaintances don’t know that I write novels.  And that’s fine with me.  Because when they find out, the conversations are mostly painful.  Where do you get your ideas?  Why haven’t your books been made into movies?  Why do you still have a day job?  Also: I have this great idea for a novel, but I’ve never had the time to write it up.  Maybe you can do that for me, and we can split the profits!

At conventions, you’re basically trying to sell your books to people who are mainly there to dress up in costumes, which is a different sort of pain.  Or you’re talking to other writers, which can be fun, but it’s mostly depressing.  Either they’re like you, and therefore they’re going to complain about everything having to do with the publishing industry.  Or else they’re more successful than you, in which case you have to contain your envy.

I have always envied Thomas Pynchon, who was successful early enough to never have to deal with any of that.  Just write your books and cash your checks.  What could be better?

A blizzard helps us get modern

We had a little blizzard here yesterday–a foot of snow, single-digit temperatures . . . the usual.  It was bad enough that our Boston Globe couldn’t be delivered.  So we were forced to go modern, and download the digital version onto our his-and-hers iPads:

2014-01-03 08.15.14Reading a hardcopy version of the newspaper is, of course, hopelessly old-fashioned, but we’re a bit stuck in our ways.  And this reminds me of Isaac Asimov’s 1964 essay about what life would be like 50 years in the future. It was written in response to the New York World’s Fair that year–and hey, I was there!  (I don’t remember much about the exhibits he talks about, but I do recall standing on a moving walkway to view Michelangelo’s Pietà.)

Predicting the future is tough, as I realized when I re-read some of my old science fiction.

This is the sort of thing Asimov gets more or less wrong:

One thought that occurs to me is that men will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button.

Windows need be no more than an archaic touch, and even when present will be polarized to block out the harsh sunlight. The degree of opacity of the glass may even be made to alter automatically in accordance with the intensity of the light falling upon it.

He gets some things right, of course:

Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica (shown in chill splendor as part of the ’64 General Motors exhibit).

Bu the most interesting prediction is probably this one:

Even so, mankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014. The lucky few who can be involved in creative work of any sort will be the true elite of mankind, for they alone will do more than serve a machine.

This hints correctly at the rise of automation and service jobs, but obviously Asimov didn’t foresee his-and-hers iPads.  How can you be bored with them?

Print version of “The Portal” now available from Amazon!

Right here.  It’s more expensive than the e-book version, of course, but don’t you like the feel of a real physical book in your hands?  Also, don’t you think it would make a great Christmas present?  Actually, I’ve given this a lot of thought, and I can’t come up with a better Christmas present than this book.

OK, maybe a Samsung 40-inch 1080p 60Hz LED TV.  But just barely.

9781614174639

“Dover Beach” is an Ereader News Today book of the day

I’m not sure how this works, but look here.  Not Dangerous Flames or Arielle Immortal Quickening, although I’m sure they are both very fine novels.  Scroll down to the third one.  That’s mine.

Ninety-nine cents is pretty cheap for a book this good, don’t you think?  It used to be free for a while, but you were too busy and didn’t get around to downloading it, now did you?  Will it ever be free again?  I wouldn’t count on it, if I were you.  If I were you, I’d spend the $0.99 and see what all the excitement is about.

DOVER-BEACH-COVER1L

Forbidden Sanctuary: The alien escapes

My science-fiction novel Forbidden Sanctuary is a first-contact thriller in which one of the aliens who have landed here learns about Christianity from an interpreter who happens to be a devout Catholic.  He becomes convinced that it is Earth’s counterpart to the persecuted faith that he secretly follows on his home planet.  This is a very high concept, and the book is well worth the $2.99 it’s gonna cost you!

Forbidden Sanctuary ebook

You can read the first chapter here.  In this excerpt we see the alien–Tenon–escape from his ship, trying to find sanctuary in the Catholic church he knows is nearby.

**********

In the first instant he was half inclined to turn back. This world was dark, and confusing, and bitter cold. How could he hope to find refuge in it? But of course he had come too far to turn back. He shut the door behind him, and started carefully down the long staircase to the ground.

They had guards too, of course, but they too were looking the other way, more interested in keeping Earthpeople away from the ship than Numoi away from Earth. He crouched low to the stairs as he descended, and prayed that the helmeted creatures at the bottom would not turn around.

They didn’t. Five steps from the bottom Tenon leaped over the railing and landed silently beside the stairs. He looked around. There were no other guards nearby that he could see. He moved to his right until he was well outside the guards’ line of sight, and then he walked slowly away from the ship.

The area around it was deserted. Who could be outside in this cold? It was very well lit, however, and he felt conspicuous. He picked up his pace, and soon he was in the shadows of a building. He could hear the murmur of voices inside. It was probably warm in there; he longed to join the voices. But would they protect him? No, he needed a sign: something to show him that the vomurd was continuing. He walked on.

And before very long he reached a fence, long and high and fiercely metallic. He could see a guard to his left, but once again the man was facing away from the Ship. Well then, he must climb the fence.

It was difficult for his hands to get a grip, and at the top were twisted strands of wire that tore at his flesh; but it was all right, he should be able to put up with pain. When he reached the ground on the other side he stopped to look back through the fence at the large pyramid that was his past, and then he trudged off along the road he found at his feet.

Around him were dark, looming hills, and tall, hard, bare-looking plants. Over everything was a layer of crusted snow. He had never actually seen snow before, but there was plenty of it in the land of the Stani, and Argal had spoken of it more than once. White grains of ice, as far as you could see. He shivered, and looked up at the alien sky. The stars were sharp and clear, their strange patterns almost as unsettling as the snow. Was one of them their star? He was unclear on such matters. Did anyone really know? It didn’t matter now.

By the fence he had seen a few of those fast-moving mechanical vehicles other crew members had talked about in tones of wonder, but none were on this road. Perhaps they were not used at night. Perhaps no one was allowed out after dark. There was so much he didn’t know—including how much farther he had to walk before he would find what he was looking for. So far there was nothing—no sign of a village, a farmhouse, a light. He could be going entirely in the wrong direction—a town just out of sight behind him, none for a day’s travel ahead of him. They would find his frozen body in the snow, by the road, and they would say: a fit punishment for a Chitlanian, to die in a land like the Stani’s.

If he was not used to the cold, at least he was used to the walking. He had had enough forced marches to keep his legs in shape, even after the inactivity of the Voyage: rushing to the border to subdue some recalcitrant tribe, providing an escort for some minor ambassador, scouring the hillside for heretics…

He recalled that painstaking search, knowing only that they were looking for enemies of the state, going from cave to cave, sword at the ready, determined to root out the traitors.

And he was the one who found them; scrambling up a small slope at dusk, weary and frustrated, he had entered the low cave and shined his torch, and there they were. About twenty of them, white-robed, gentle-eyed, sitting, waiting. His sword came out, and then he was calling for assistance, and one of the white-robes had said: “Calm yourself, soldier. You have nothing to fear from us.” And they came with him peacefully, praying all the while to Someone he had not yet heard of.

He had received a promotion for his daring single-handed capture of the heretics. The promotion had made him eligible for the Voyage. But that meant nothing to him compared with the image in his memory of those faces as they went to their deaths, faces transfigured by an emotion he had never felt, but longed to feel. Soon after that he was scouring the hills, alone, looking for someone who trusted him enough to bring him to Argal.

His hands were numb. He clapped them against his side to bring the feeling back. He was having difficulty focusing his eyes. He had to squint continually to keep them working. His ears roared with pain. His legs wanted to stop, but stopping, he now realized, meant death.

And besides, there were signs now of life: lights in the hills, a dwelling, then, after a while, another. He squinted at each dwelling as he passed it. Not what he was looking for. Not yet.

Millions, he kept telling himself. There are millions.

One of those vehicles suddenly appeared, its lights like some incredible animal eyes piercing the darkness. He stopped, transfixed, as it roared past him, its occupant faceless behind the glare of the lights. He took a deep breath, and continued.

He had been a soldier all his life, and yet he had never known fear. Occasionally there would be danger, but the Numoi were always in control, and besides, to die for Numos (so he had believed) was the greatest possible glory of your life.

Now he would gladly die for Chitlan, but still he was afraid, because he was alone in the dark on a strange world, and he did not know what hazards awaited him around the corner, over the next rise, and he did not want to die senselessly, by walking on the wrong side of the road, or touching an object that was not supposed to be touched, or making a sound where silence was required.

He did not know whether the water in his eyes was caused by the cold, or by something else.

He did not want to think of the past anymore, but he couldn’t help it, to keep his thoughts in this world was to invite despair; and if he lost the will to keep his legs moving then everything would have been in vain.

He thought of Argal, who had walked the length of Numos, and all the outlands as well, risking his life with every step he took. But he had a mission, and he never complained. He thrived on it, really; how he would have enjoyed the challenge of this situation.

Tenon pictured Argal sitting in a hearth chamber, his dirty peasant robes gathered around him, his face creased and scarred with the ravages of his life. And the eyes! Eyes that held knowledge and truth, that had pierced deeper into the mysteries of all-that-is than any living being. Eyes, Tenon thought, with a shiver, that he would never look into again.

He recalled the first time: they had led Tenon to him blindfolded, at night, wary of a pure-blooded soldier with an impeccable record. He kept waiting for the feel of a knife against his throat, but these people were different (he kept reminding himself); that was why he had put himself in their hands.

When the blindfold came off he found himself in the stone-floored hearth chamber of a peasant farmhouse. In the dim firelight he saw a couple of young rustics regarding him suspiciously and, beyond, the foreigner he had struggled so long to meet, the foreigner who had a price of five thousand goldpieces on his head.

“Come and sit, soldier,” Argal had said in a low, friendly voice. “Perhaps we can learn from each other.”

But what could he teach Argal? He knew only what the Numian schools had taught him, and that, it turned out, was less than nothing in Argal’s eyes.

For some reason Argal spoke little of Chitlan that first night. Perhaps he wanted to tear down Tenon’s old religion before building a new one; perhaps it was just where his thoughts were when Tenon arrived. At any rate, he began by speaking of the Ancients.

“It is fascinating to me how little even educated Numoi know about these Ancients. It’s nothing more than myth and pious double-talk—which, you know, is precisely what the Ancients wanted. Did you know, for example, that there were exiles from Numos at the time the Ancients were putting together the hasali you are now a part of?”

Tenon, of course, had not known that.

“Some of them reached the land of the Stani. They wrote about what they understood—and feared—but they were foreigners and, I’m afraid, they were at best ignored, at worst mistreated. Their writings lay unread—until I came upon them. I was just a young scholar back then, and I had not even heard of Chitlan. So the Stani leaders threw open their archives to me, not knowing what they possessed.”

“What was it?” Tenon asked, intrigued and half afraid.

“Well,” Argal replied, “here is my interpretation of it. I believe it to be true. You see, the Ancients were practical, clear-sighted, and, according to their lights, benevolent people who above all were interested in answering one question: how do you set up a lasting, peaceful civilization? You will not find this question discussed in the Chronicles of the Ancients, or any of the other writings that have been preserved by the priestesses, because all mention of it had to be suppressed as part of the answer.”

“And what was their answer?”

“Oh, there were many parts to it, like the structure of the government and the size of the nation. But the centerpiece was this: to create a religion. And the centerpiece of the religion was the Ship.”

“But isn’t—wasn’t—?”

“Isn’t the Ship proof of the truth of your religion? No, it is only proof of the genius of the Ancients. I don’t pretend to understand how it works, but I do know there is nothing miraculous about it—nothing to compare, for example, with a resurrection from the dead. But we will come to that another night.

“You see, they wanted it to appear miraculous. So they destroyed all documents concerning the theory of timeless travel and the construction of the Ship. They cloaked their work in mystical terminology, and taught their successors how to copy what they had done, but not how to understand it. Instead of using what they had learned to add to the material well-being of their nation, they used it to transform its spirit.

“They gave Numos a central symbol, a ceaseless quest that would provide a focus for all the work and thoughts of its people. They were lucky, I think, in a couple of points. Enough of the Ships returned from the black void that they have not come to symbolize utter futility. And the crews never have discovered other intelligent life—because that would end the quest, and with it the value of the symbol.”

(Tenon-by-the-hearth had circled his hand slowly in understanding, finally getting used to this strange perspective on his world, starting the slow transformation that would lead him far from his mindless orthodoxy. Tenon-in-the-cold-alien-air, product of the transformation, thought: the Voyages are too important to Numos, though. The Council will simply redefine the goal, and the Voyages will continue, more meaningless than ever. But that has nothing to do with me anymore. Tenon shivered, and tried to walk faster.)

Argal’s eyes had gleamed in the firelight, pleased at Tenon’s understanding. “Do you see?” he exclaimed. “It is an artificial religion, designed to provide stability and meaning to a civilization. As such it has been successful and, in some ways, I grant, admirable. But it is not the truth. A civilization, it seems, can be based on a lie, but now we know the truth, and the truth will destroy this civilization like a rock shattering a hollow, decayed fossil.”

Tenon noticed one of the young peasants writing down Argal’s words, and he started to realize that this was the beginning of something immense, that he was hearing words that would be remembered in a thousand generations the way the acts of the Ancients were remembered in his. But still there were doubts. “If a lie is so powerful,” he asked, “how will the truth destroy it?”

“Its time has come,” Argal responded. “The lie is not what it once was. The crews still go off every twenty cycles to meet their fate, but there is confusion and fear beneath their brave façades. The priestesses still carry out the prescribed rituals, but there is boredom behind their gestures. The Council still rules, but the people feel free to grumble at their edicts. The entire planet is ready to listen, ready to believe. And that is precisely why Chitlan chose this moment to appear in our midst. We will be victorious, and there is not a power in the Universe that can stop us.”

And how often had Tenon heard those words spoken—by different hearths, to other new believers? Yet they never failed to thrill him. Often he lacked Argal’s utter certainty in the final triumph, but he never lacked faith in him, or in Chitlan.

A cold wind cut through him, as he realized again that Argal was gone. He was on his own; he had left those hearths behind forever.

There were dwellings all around him now, but no sign of what he was looking for. Pray, he must pray. His legs must continue to move, he must fight off the tears….

And eventually he saw it—sharply etched against the planet’s bright half-moon, just as he had imagined it. Angela’s words echoed in his mind: they put Him to death on a cross. And she herself had worn a tiny gold cross around her neck. Symbol of her faith.

O, lucky people, who could display their symbols so openly! He rushed over the banks of snow to the building with the cross, joy and anticipation warming his frigid body. Across the walk, up the short flight of stairs…

And the door was locked. Tenon stared at it in disbelief. That could not be. Then he reasoned: not everyone on the planet was a follower of Jesus. Perhaps there were still people who wanted to harm them. Of course they would lock their place of worship in that case. But certainly their chief priest or priestess would be inside—asleep, most likely, but eager to help a believer in trouble.

He pounded on the door. No one came. He pounded again. His hands, already cut and raw from the wire of the fence, ached with the effort, but the door remained locked. Finally he gave up and started to walk around the building, looking for other entrances. They were all locked. There were windows, of course. He could break a window and get inside. But that would be desecration. That would not be allowed.

He came around to the front again and sat on the steps, exhausted and fearful. Perhaps someone would open it up in the morning. But how long would it be until morning? He could not survive much longer without shelter. How much worse a death that would be—frozen on the very steps of their temple, his goal reached but meaningless.

That could not happen. He struggled to think things through. It was clear that he had to get indoors. There were plenty of dwellings. Most of them were probably occupied. What he needed was one occupied by a follower of Jesus. But how would he know?

He would have to take a chance. Which one?

The one nearest the temple, obviously. Would someone who was not a follower of Jesus want to live next to one of His temples?

Tenon got up and walked across a short pathway to the nearest dwelling. It was in darkness, like the temple. He stood in front of the door for a long time, summoning his courage. It has to be done, he told himself. There was no other way. He knocked.

And knocked. And after an eternity a light appeared behind the door. He saw the shadow of a person through the small, curtained glass panes and heard a brief, gruff sentence. There was nothing he could say, so he knocked some more.

Finally the door opened a crack—still locked with a chain—and a face appeared.

They looked at each other through the crack, and Tenon dimly realized that the man was as frightened as he was.

With his trembling hands Tenon tried to form a cross. “Jesus,” he whispered, hoping it sounded right on his alien tongue. “Jesus.”

The man kept looking at him, and the chain remained in place, and suddenly Tenon could take no more, and the tears came streaming out of his eyes. “Jesus,” he moaned as he felt his legs giving way, and then he heard the chain move, and the door swung open, and he fell forward into warmth and light.

Still looking for reviews of “The Portal”

I’ve gotten three very nice ones so far, but I could use some more.

In case you’ve forgotten, here’s the outline and first chapter.   And here’s the cover, which helpfully informs you that it’s an alternative history novel:

9781614174639

 

And, apropos of nothing, here’s a photo of my little town’s charming harbor on a late summer’s day:

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The Portal is now available from Amazon!

It’s time to enter The Portal.

9781614174639

Okay, that’s a bit hokey, but seriously, the Kindle version of The Portal is now available. It’ll be up on Barnes & Noble, iBooks, and other fine sites soon. Those of you who have dipped into the novel on this blog can now have your very own electronic copy for the astonishingly low price of $4.99.  (All right, that price isn’t so astonishingly low, but it’s what my publisher decided the thing was worth.)

Customer reviews are critical to the success of an ebook.  If you can find it in your heart to write a good review of The Portal at Amazon, that would be very helpful.  You don’t have to purchase the book from Amazon, but reviews from verified purchasers count for more.

My publisher and I couldn’t quite agree on sales copy for The Portal.  Here is my summary:

In the woods behind his house Larry Barnes makes a spectacular discovery—an invisible portal to a parallel universe, where Burger King has turned into Burger Queen, cell phones are huge, and his home town doesn’t look anything like the place where he lives.  When he returns from this world, he makes the mistake of telling his best friend, Kevin Albright, who convinces him to try entering the portal one more time.  What could go wrong?

But this time Larry and Kevin find themselves in a very different world. From the moment they step out of the portal they are caught up in a war that pits the United States of New England against New Portugal and Canada.  They need to make their way in a world that is utterly alien, without computers or automobiles or telephones.  A world in which no one has heard of America, or Mozart, or bacteria.  Larry and Kevin face hunger, disease, battle—and, most of all, loneliness.  But they also find friendship and family, joy and love.  Can they survive the war—and help New England win it?  Can they make their way back to the portal and return home?  And what will they leave behind if they do make it back?

Exciting and deeply moving, The Portal is a science-fiction adventure you won’t soon forget.

Is it “alternate history” or “alternative history”?

The Portal is about to go live on Amazon.  Today I got my first look at the final draft of the cover.  My publisher apparently wasn’t fond of my tag line, because they came up with this:

The Portal

 

OK, first of all, do you like the cover?  But second, should it be alternate or alternative?  I am worried that the cold-eyed editors where I work will cut me dead in the hallways and the lunch line when they find out I have written an “alternate history novel.”  I don’t know if I could stand this.

Ignoring the persnickety purists for a moment, if you look at Amazon’s book categories, they use Alternative History.  But if you search for “alternative history” on Amazon, their search engine asks if you really mean “alternate history.”  Wikipedia’s entry for “Alternative History” redirects you to the entry for “Alternate History.”  On the other hand, Google Ngram Viewer gives “alternative history” a clear lead (both terms entered the language around 1970). On yet another hand, a Google search gives a slight lead to “alternate history.”

On a book cover, the fewer letters the better, I suppose; “alternative” sounds and looks a bit fussy.  So I think I’m OK with this.  But I’m worried about those editors.

Just a quick visit to a parallel universe — what could possibly go wrong?

Creativity is an odd thing.  Best not to think to deeply about it.

My e-book folks are working on the cover for Portal, and they asked me to come up with a tag line for it.  A tag line summarizes a book in about twenty words or less, in a way that will make the casual reader want to buy the thing.  Tag lines are hard.  I don’t do tag lines.  My brain was an utter blank for a week, so I started writing an email to them saying we’ll have to do without one.

And then creativity happened.

Should we boycott Orson Scott Card because he’s viciously homophobic?

My lovely wife just read a book called Dickens in Love about Dickens’s love affair with Ellen Ternan.  “I didn’t know he was such a creep,” she said.  Well, yeah.  Lots of writers are solipsistic jerks, and lots of them have obnoxious political positions.

One quite reasonable interpretation of the scant documentation of Shakespeare’s life is that he was a money-grubbing, social-climbing adulterer.

Lord Byron probably slept with his half-sister, among many other offenses.

Knut Hamsun (winner of the Nobel Prize for Literature) called Hitler “a preacher of the gospel of justice for all nations.”

I read a bit of Orson Scott Card back in the 80s.  I enjoyed Ender’s Game, although I don’t recall thinking it was anything like a classic.  At some point I gave up on Card because I thought there was something weird about his treatment of violence.  I haven’t been paying attention to him since then, so I didn’t realize he was beyond-bonkers homophobic, to the point of advocating violent revolution to prevent gay marriage:

How long before married people answer the dictators thus: Regardless of law, marriage has only one definition, and any government that attempts to change it is my mortal enemy. I will act to destroy that government and bring it down, so it can be replaced with a government that will respect and support marriage, and help me raise my children in a society where they will expect to marry in their turn.

The movie version of Ender’s Game is coming out in a few months, and people are making noises about boycotting it.  In response, the terrified filmmakers say the movie and the book have nothing to do with gay issues, and, as the 16-year-old star cleverly puts it, “You can’t blame a book for its author.”

Absolutely true.  On the other hand, Card is still among us, and Dickens, Shakespeare, Byron, and Hamsun are not.  He makes money any time we purchase one of his works.  And he hasn’t been shy about expressing his opinions and trying to affect public policy.  There are plenty of good books to read and good movies to watch (well, I could be wrong about the supply of good movies).  I can’t think of any reason to support Card’s career.

By the way, here’s Dickens’s mistress, Ellen Ternan:

And here’s Byron’s half-sister, Augusta Leigh:

And here’s a very unpleasant-looking Knut Hamsun: