Paperback versions of Dover Beach and The Distance Beacons

Turns out we now have paperback versions of my very fine novels Dover Beach and The Distance Beacons(An old, used paperback of Dover Beach is also available, but I don’t get any money when you buy one of those copies, so where’s the fun in that?) The covers look remarkably like the covers of the ebooks:

So now, along with Where All the Ladders Start, you can buy paperback versions of all three of the very fine novels in my Last P.I. series. Need I point out that a series of private eye novels set in a dystopian future after a major societal breakdown would make the perfect gift for that special someone on Valentine’s Day?

Also, I can get you these novels cheaper than you can get them from Amazon, so if you need a few, let me know.

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Progress Report 1: Second Draft

I see that Jeff Carver has a nifty progress bar on his website. He’s up to 91% complete on the “major revisions” to his novel The Reefs of Time. Yay! I don’t know how to do that progress bar thing, but I am pleased to report that I’m about 52% complete on the second draft of my novel. (Of course, my book is about a third as long as Jeff’s, so the tasks aren’t really comparable.) I’ve also cut about 2% of the first draft, but I’m now starting to suspect that the second draft is going to end up slightly longer than the first. Where have I gone wrong?

I figure I’ll complete the second draft sometime in April, if I don’t have any more bright ideas. I’m in the middle of a bright idea right now, and it’s certainly slowing things down.

Cutting

I’m about a quarter of the way through the rewrite of my novel. My goal has been to shorten it. I’m proud to say that, so far, I have shortened it by approximately zero percent. Appreciate the congrats!

I have managed to tighten a lot of the existing chapters. But it appears that I’m required to write an additional subplot. So that isn’t helping. I think I may be stuck at around 123,000 words. Still seems like too many to me.

Also, I’ve changed the title. But maybe I need to change it again.

All in all, things are going well.

Sex clams and other editorial problems

Sometimes the lack of copy-editing is pretty obvious, as in the soon-to-be-legendary “sex clams” headline:

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Here’s a subtler problem, buried in the Boston Globe sport section:

The compensation committee comprises of Robert Kraft, John Mara, Art Rooney, Clark Hunt, Bob McNair, and Blank.

“Comprises of”? The writer seems to be aware that the correct usage of comprise is tricky, but doesn’t have a clue how to get it right. (Ditch the “of” and the sentence is fine.) Following journalists on Twitter is a good way to just how much they need editors; yesterday I saw one of them use the word dependant, which even WordPress tells me isn’t spelled correctly.

Of course, none of these are as funny as this headline’s missing hyphen in “first hand”:

first-hand-job-experience-article

This usage peaks my interest

I spent some time on the phone recently talking to someone about the company where I work. The guy sent me an email the next day to tell me that my description of the place had “peaked” his interest. So he wanted to apply for a writing position there. Hmm. Well, at least he wasn’t applying to be an editor.

Confusing peak for pique is understandable, as these things go — better than confusing regretful for regrettable, or incredulous for incredible. You can make the case that peak is being used as a transitive verb, so the phrase means something like “created a peak in my interest.” Can’t you?

Here’s the Google Ngram of “pique my interest” vs. “peak my interest”:

pique

We see nothing much happening until about 1980, when “pique my interest” takes off. But “peak my interest” starts gaining a foothold around 2000 and, if the statistics for the last few years are meaningful, “pique my interest” may be starting to lose a little ground to it. The guy who used the phrase is a millennial, so maybe he represents the future of the language. Is this regrettable or incredible? Should we be regretful or incredulous?

Cutting

Today I cut a scene from my novel. This feels good–fewer words! A more streamlined story! This feels bad–those were good words! They added depth and texture to the story!

What’s a writer to do?

To make up for it, I added a scene. Also, I changed the name of the novel.

Am I making progress? Do I get to watch the Patriots’ game as a reward?

Starting the second draft

The second draft got underway this weekend. Characters who showed up two-thirds of the way through the first draft now begin the novel–the first of many ways in which I will address my future-perfect comments littered throughout the text:

“I will have have to set up this scene earlier.”

“This character will have a different name in the second draft.”

“Need to have a better explanation for this behavior.”

This is the good stuff.