Home is home:
Can You Ever Forgive Me? is the true story of Lee Israel, a moderately successful biographer whose best days are behind her. Broke, alcoholic, and desperate, she stumbles onto a scam that brings in some money — at least for a while: she forges letters from literary figures like Dorothy Parker and sells them to credulous and acquisitive rare-book and memorabilia dealers. It all falls apart before long, but for a brief, glorious period she is once again creative and successful, in a strange sort of way.
It’s a nice little movie, and Melissa McCarthy is great in it. (Richard E. Grant, as her gay alcoholic sidekick, is even greater.) McCarthy’s character is a depressing loser who can’t hold down a job and cares only for her cat, but she has a spark. She comes alive when sitting in front of her typewriter, and I found myself wishing she were normal enough to find a way to create a real career for herself with that spark. But it wasn’t going to happen.
Along with my novel, this week I said good-bye (I think) to my friend Jeff Carver’s novel (now split in two), which he’s been working on (and we in his writing group have been critiquing) since 2006 or so. That’s a lot of critiquing. And writing–I can’t imagine spending 12 years on a novel. But the result is really good–probably because I made a couple of pretty good suggestions over the years, along with a lot of dopey ones Jeff wisely ignored.
Now he needs to start the next novel in his Chaos Chronicles series. And he needs to finish it in 2019, dammit.
I did a final editorial pass. Fixed a few typos (sheesh), changed a this to a that, put commas in and took them out, fiddled with a bunch of sentences. Change the viewpoint character in one scene. And now I’m done.
These characters were part of my life for a long time. Sad to see them go. Delighted to see them go. On to the next adventure.
I’m pondering creating a “boxed set” of the ebooks for The Last P.I. series; it would sell for less than the three books sold individually.The mechanism is fairly straightforward; the only real extra work (and expense) is to create a new cover. There’s lots of this going on nowadays. My publisher says that it would make the series more attractive to Bookbub, which is the main advertising channel for ebooks nowadays. One more way to get the word out.
Let me know what you think!
I read through my third draft, picking up more stuff along the way. The stuff keeps getting more and more trivial, but it’s real. Why did I type “here” instead of “hear” in one place? Why did I add the “ue” to “Epilogue” but not to “Prolog”? Why did I refer to the city as “Roma” everywhere but in one place, where I used “Rome”? Why did I waver between “goodbye” and “good-bye”?
More important, reading straight through let me spot places where I repeated a point I’d already made and places where I failed to make a point I wanted to make. The text feels smoother now. Somehow I managed to add another thousand words. Well, I guess I needed them.
Most important, I made final decisions about a few niggling issues that were bothering me. In a large, multi-viewpoint novel, you wonder if you have too many viewpoints, or not enough. Does the story hang together as you shift and shift and shift between viewpoints? In a novel that carries the story forward from two previous novels, have you resolved enough of the questions, have you provided satisfactory resolutions for enough of the characters?
Well, you’re never certain, but I’m pretty sure I’m done with this novel, except for a final proofing. Which means I now leave the characters, and the world, behind.
I’ll miss them.
After leaving the novel to simmer for a while while I stared at busts of Roman emperors, I’ve finally started the third draft. So far, it’s going quickly–nothing like the second draft. I think that I’ve basically gotten it right.
We’re also making progress on cover designs.
So, maybe this fall?