Turns out we now have paperback versions of my very fine novels Dover Beach and The Distance Beacons. (An old, used paperback of Dover Beach is also available, but I don’t get any money when you buy one of those copies, so where’s the fun in that?) The covers look remarkably like the covers of the ebooks:
So now, along with Where All the Ladders Start, you can buy paperback versions of all three of the very fine novels in my Last P.I. series. Need I point out that a series of private eye novels set in a dystopian future after a major societal breakdown would make the perfect gift for that special someone on Valentine’s Day?
Also, I can get you these novels cheaper than you can get them from Amazon, so if you need a few, let me know.
It’s his 206th birthday, so:
Here’s some information about the painting.
I read all of Dickens’s novels when I was in college and wrote my undergraduate thesis on them. I’ve only reread a couple of them since then, but the time may be coming to dip into them again. There was no one like him.
I see that Jeff Carver has a nifty progress bar on his website. He’s up to 91% complete on the “major revisions” to his novel The Reefs of Time. Yay! I don’t know how to do that progress bar thing, but I am pleased to report that I’m about 52% complete on the second draft of my novel. (Of course, my book is about a third as long as Jeff’s, so the tasks aren’t really comparable.) I’ve also cut about 2% of the first draft, but I’m now starting to suspect that the second draft is going to end up slightly longer than the first. Where have I gone wrong?
I figure I’ll complete the second draft sometime in April, if I don’t have any more bright ideas. I’m in the middle of a bright idea right now, and it’s certainly slowing things down.
I’m about a quarter of the way through the rewrite of my novel. My goal has been to shorten it. I’m proud to say that, so far, I have shortened it by approximately zero percent. Appreciate the congrats!
I have managed to tighten a lot of the existing chapters. But it appears that I’m required to write an additional subplot. So that isn’t helping. I think I may be stuck at around 123,000 words. Still seems like too many to me.
Also, I’ve changed the title. But maybe I need to change it again.
All in all, things are going well.
Today I cut a scene from my novel. This feels good–fewer words! A more streamlined story! This feels bad–those were good words! They added depth and texture to the story!
What’s a writer to do?
To make up for it, I added a scene. Also, I changed the name of the novel.
Am I making progress? Do I get to watch the Patriots’ game as a reward?
The second draft got underway this weekend. Characters who showed up two-thirds of the way through the first draft now begin the novel–the first of many ways in which I will address my future-perfect comments littered throughout the text:
“I will have have to set up this scene earlier.”
“This character will have a different name in the second draft.”
“Need to have a better explanation for this behavior.”
This is the good stuff.
Final count on points of view in my novel is 27. Too many? Not enough?
Near the end, for numerous excellent reasons, I switched to first-person POV a few times — including a couple of sections using first-person present-tense, which I’ve never done before. I think a little of that goes a long way — “I sit in a darkened room and ponder the mistakes of my life. I wonder what will become of me.” But I decided it was right for what I was trying to accomplish at the end of the novel. We’ll see.