Writing as an act of faith

My friend Jeff Carver has a nice post up about writing as an act of faith, and how that faith was unexpectedly rewarded for him the other night.

As he says, writing is an act of faith almost by definition.  Maybe hubris is a better word — you have to think: I have the talent and the resolve to bleed out 70,00 words that will entertain and maybe also uplift and inspire a host of unknown readers.  (Actually, for Jeff it’s more like 200,000 words.)  And, of course, you have to be prepared for your faith to be shaken when you read your first draft.

I have one quibble with his post.  He is working on his second draft in front of a roaring fire at a secluded B&B on Cape Cod.  Frankly, anyone can write a frickin’ novel sitting in front of a roaring fire at a secluded B&B on Cape Cod.  Real authors write their novels while police are shooting at bank robbers outside their windows.  Let’s see him try that!

Did I write that paragraph? Really?

I read my first drafts so you don’t have to.  Those paragraphs I wrote last year seemed like a good idea at the time.  But now that I’m starting in on my second draft and have a much clearer sense of the characters and the story, much of what I had to say then seems at best unfocused and sometimes, well, just plain bad.

But not to worry!  It’s getting better day by day.  And before you know it, it’ll be perfect!

Writers in movies: Stuck in Love

Another in a random series.

Stuck in Love is a pleasant indie movie from 2012 starring Greg Kinnear and Jennifer Connelly.  Here’s the IMDB summary:

An acclaimed writer, his ex-wife, and their teenaged children come to terms with the complexities of love in all its forms over the course of one tumultuous year.

What the summary leaves out is that both the kids are writers (or would-be writers) as well — the father (Kinnear) is determined to make them novelists like him.  So we’re given a whole family full of writers, which is a recipe for dysfunction and angst if I ever heard one.

The writer/director, Josh Boone, drops quotes from Raymond Carver and Flannery O’Connor into the script and clearly has a sympathetic sense of the writing life.  Here’s something he gets right: The movie begins with Kinnear preparing Thanksgiving dinner for his son, who is in high school, and daughter, who home from college.  At dinner the daughter drops the news that her novel has been accepted by a major publisher.  The predictable result is that dinner is ruined.  The father is upset that she abandoned the novel he has helped edit and written an entirely different book over the summer; the brother is so jealous of her success that he can’t be at the same table with her.  Writers are just awful!

Here’s what Boone gets wrong: The daughter writes a novel over the summer, sends it to her agent, who submits it anonymously and gets it accepted by a major publisher, and page proofs are ready by Thanksgiving?  Really?  In what universe?  (I’m into the fifteenth month of working on my current novel, so I may be feeling especially grumpy about this part.)

The father has written two successful literary novels, but has had writer’s block since his wife left him.  The writer’s block is reasonable; I’d be pretty upset if Jennifer Connelly dumped me.  But, with no other apparent income, he still manages to live in a gorgeous ocean-front house and pay his daughter’s tuition to college.  How does that work?

Later in the movie, the son writes an SF short story, which his sister gets hold of.  Then what?  Without telling the brother, the sister sends it to Stephen King, who loves it so much he gets it published in a major SF magazine and calls the kid to let him know.  Of course.  Happens all the time.  (I remember the stories I wrote when I was in high school; just thinking about them makes me cringe.)

In other words, this is a typical movie world, where success comes too easily and is rewarded too much; love is what’s hard.  It makes me appreciate the world of The Wordsin which the writer is talented and hard-working, pours his soul into his novel, and gets exactly nowhere.  That’s a lot more like the real writing life.

“The Portal” is now only $1.99 on Amazon!

I know, you’ve been longing to own The Portal, but you just couldn’t come up with the outrageous $4.99 Amazon was charging you for the Kindle edition.  Why, for that price you could almost buy a Starbucks Grande Cappuccino in France!  I sympathize!

But now your prayers have been answered: Amazon has followed Barnes & Noble’s lead and reduced the price of my astonishing alternative history novel to a laughably low $1.99.  That’s half the average price of a Big Mac in the United States!  You heard me right, you can buy two copies of The Portal and avoid the 704 calories you would consume if you bought a Big Mac with the same money!

I like the way Amazon expresses the discount in terms of the retail list price (which nobody pays) of the print version (which almost nobody buys).  You save 88%!  So why are you still just sitting there?  Buy the book!

Second draft

I’ve started work on the second draft of my novel.

For me, the second draft is always more fun than the first draft — mainly because it goes much faster, since  I have a better idea of where I’m heading, and I know where the bumpy parts are.

The goal is to finish it in three months.  I’m pretty sure I’m already behind schedule.

The Distance Beacons: The president urges New England not to secede

In honor of Presidents Day:  From The Distance Beacons, here is President Ann Kramer making a speech in Boston’s Government Center, trying to convince New Englanders to pass a referendum to stay part of America, twenty or so years after a nuclear war has wreaked havoc on the nation.  Our hero Walter Sands, who has already met the president, looks on.

Complications, of course, ensue.

**********************

In a few minutes I saw flashing blue lights in the distance, and then the president and her entourage came into sight—jeeps and shiny cars and motorcycles, with the president waving from the back seat of a convertible. The motorcade circled around the edge of the plaza, coming within ten feet of me. The president brightened when she saw the familiar face and gave me a special wave. I didn’t wave back.

“Did you see the bracelets on her?” a kerchiefed woman standing next to me on the bench said to her friend. “I wonder how much she gets paid.”

“Too much,” her friend replied.

The motorcade pulled up behind the platform, and the martial music stopped. President Kramer appeared on the platform, along with Bolton and Cowens and a bunch of officials. More waving, and then Bolton approached the microphone and spoke. “My fellow citizens, it has been a long time since we in New England have been honored as we are today, by the presence of the chief executive of our great nation. Far too long. This is a day that will live in our memories. It is a turning point in our history….” And so on.

“I’ve never trusted that one,” the kerchiefed woman said.

“I’ve never trusted any of them,” her friend replied.

Bolton’s introductory remarks were, as usual, irreproachable yet unconvincing. The crowd responded in kind, with tepid applause at all the right points, but without ever showing any real excitement. Finally he finished, and the moment had arrived. President Kramer stepped up to the microphone; the applause was somewhat more enthusiastic now.

“She is pretty, though, you’ve got to give her that.”

“We could be pretty, if we had her money.”

“Do you think she dyes her hair?”DiSTANCE-BEACONS-COVER.final.L3

“The hair’s phony. The tan’s phony. It’s all phony, every piece of her. A phony president and a phony election.”

She’s not going to win, I thought suddenly.  She can’t convince me, and she can’t convince Charlie DePaso or Jesus Christ or these women. It’s over.

“Thank you, Governor Bolton, for those kind words,” the president said. “My friends, I am here today to ask you to support the government of the United States of America in the referendum next week. I recognize that you may not find this support easy to give. I understand the issues you have with the American government. But I’m asking you to have faith. Faith in the government. Faith in the future. And faith in me. Of course, it’s difficult for you to have such faith unless you know me. So let me first take a few minutes to tell you about myself….”

And she launched into the story of her life, with which I was already familiar. Much of what she said after that was familiar as well. Oh, she changed an emphasis here and there, and sometimes she anticipated objections I had made. But basically she was repeating her performance of the night before.

But if I had been the test case, the dress rehearsal, why did she think this approach would succeed? If she couldn’t manage to convince me, how was she going to convince Charlie DePaso and the two women next to me? She couldn’t exactly go around massaging everyone’s neck and shoulders. And we weren’t in a beautiful pre-War apartment, listening to music and sipping wine. We were huddled under leaden skies, cold and suspicious. What did we care about her experiences in Atlanta? What did Lincoln matter to us? Could we see the world that President Kramer saw? Not today, I’m afraid.

But then she went further. This was the part that I hadn’t wanted to stay and hear in her apartment, too afraid that I would succumb to her the way Marva had succumbed to Flynn Dobler. “All of this is nothing but words, I admit,” the president said. “Perhaps some of you have heard too many words over the years, and seen too little improvement in your lives. Perhaps some of you think the referendum is pointless, because it won’t put more food on your table or give you better health care. Well, let me tell you here that I am prepared to stake the future of the Federal presence in New England on the results of the referendum.

“If you give us your support, we will immediately take steps to institute direct election of all local officials, up to and including governor, by vote of the entire adult population, not just taxpayers. Individual state legislatures will be re-established, and New England will return to being six separate states once again. As they did before the War, the new state governments will control policies and laws within their borders, and the Federal government will handle interstate issues. Federal troops will stay in the states at least until the elections are over; after that, the new governments will decide individually what role, if any, they want these troops to play within their states.

“Now I must be honest and tell you that not everything will change. Conscription will continue, as will Federal taxation and restrictions on interstate travel—we can’t allow unlimited exit visas to the South. But what we are proposing is, I believe, a major step toward giving the brave people of New England what they need and deserve: a chance to determine their own future within the framework of a system that will preserve and extend our great American ideals.”

The president paused, and people applauded—rather warmly, I think. “That seems like a good idea,” the woman next to me said.

“I’ll believe it when it happens,” her friend replied.

“What if you lose?” someone shouted.

The president waited for silence. “If we lose,” she said softly, “we leave. It’s as simple as that. The reduction of the Federal presence will be gradual, in an attempt to prevent chaos, but within two years we will be gone. We hope the two-year time period will be sufficient to allow some sort of peaceful evolution of new political entities to take place—and we will do our best to help that process—but ultimately you will be on your own—your own borders, your own soldiers, your own laws. New England will no longer be part of the United States of America.”

There was no applause at this, only a kind of buzzing silence as people tried to come to terms with this new prospect. No one had believed that anything would change if the referendum lost; the Feds would just continue with business as usual. But on the other hand…

“Why should we trust you?” someone else shouted.

“We recognize that the results of the referendum will only be valid if people think they are valid,” the president said. “Therefore we have asked well-known opposition groups to join with us in supervising the balloting. We renew that request today. Now if, under those circumstances, the government—win or lose—subsequently reneges on any of the commitments I have made here today, do any of you seriously believe that we could continue to govern? Any credibility we have with you, any respect we have from you, would be gone, and this whole effort would have been worse than useless. No, this is for real, my friends. You have your future in your hands, and I pray that you make the right decision.

“The right decision, of course, is to vote yes—vote to support the government—vote to stay part of the United States. Such a vote entails responsibilities, but with those responsibilities comes the possibility of renewed greatness. You will remain a vital part of the adventure that is America, and you will help our nation take its place once more at the forefront of human progress. And perhaps a hundred years from now people will look back on this day, and say that it was then that the tide turned, it was then that the long darkness ended, and the new day began to dawn.”

The president stopped speaking. The applause that followed seemed genuine, but it also seemed tentative, and a bit confused. She had offered people what they had always said they wanted: freedom from the Feds. But did they really want that freedom if the Feds were also offering to give them a say in the way they were governed? After all, that was something else they were always complaining about. They couldn’t have it both ways.

All of a sudden the referendum was no longer a joke.

The president waved and shook hands with the people on the platform and waved some more. The music began again. And before long the applause faded. People were going to have to go home and do some thinking.

The president came down off the platform and started shaking hands with the dignitaries in the roped-off section. The crowd began to drift away. It started to rain.

And then the president walked past the dignitaries and the guards who protected them, into the milling crowd, reaching out physically to the people she had just tried to reach with words. I looked back to the platform. General Cowens was still there, staring at her with his arms folded. Major Fenneman stood next to him, gesticulating with his walkie-talkie. This, apparently, was what they had been unable to talk the president out of.

“Want to try and shake her hand?” the woman next to me asked her friend.

“What’s the point?”

“Well, she’s the president, after all.”

“So what? Come on. It’s raining.”

A lot of people seemed to feel the same way. There was no surge to greet her, no spontaneous outpouring of respect and affection. The weather was more important than Ann Kramer.

Still, there were hands to shake and an occasional baby to kiss, while her grim-faced bodyguards stood by and reporters struggled to record what was happening. I stayed where I was and watched her progress across the plaza. She was progressing, I noticed before long, toward me.

I got down from the bench. I saw Gwen among the reporters. I wondered if I should leave. It was raining, after all. President Kramer smiled at me. “Well, Walter, what do you think?” she called out as she approached.

“Great speech,” I said.

“Did I convert you?”

I shrugged. “You certainly gave me a choice to make.”

“But you haven’t made it yet?”

I shook my head. “Maybe I’m too—”

The gunfire interrupted my reply.

For a moment I didn’t understand. What was that noise? Why were people ducking and sprawling and screaming? I turned and saw a large green car come roaring out of the crescent of abandoned shops and offices beyond the plaza. Two masked men leaned out of the front and rear passenger-side windows. They were firing submachine gun rounds into the air. The car was heading right at us.

I reached for my gun. No gun.

I turned back to the president. Her bodyguards were pulling her down to the ground. She stared at the car as if she couldn’t believe it was real, as if this were just a nightmare that would soon pass. The gunfire stopped and I heard the squeal of brakes just behind me. I turned once again. The masked men were out of the car and coming toward me. It occurred to me that I was literally the only person standing between them and the president. Not a position I would have chosen, but here I was.

I tried to think of something to do. Nothing came to me. I wanted to fight, but fists can’t accomplish much against submachine guns.

So I stood where I was and wondered if I was going to die as I watched the men approach. I noticed their black masks, their shapeless tan jackets and dungarees. And—and—

I didn’t have time to finish my thought. One of the men pushed his machine gun into my midsection. I clutched my stomach and gasped for breath. Then the other man swung his weapon at my head, and all thinking ceased.

89,066 words, and done

With the first draft of my novel, anyway.  Well, that’s a relief.

The journey took a couple of unexpected detours, which means I ended up somewhere I hadn’t entirely anticipated.  Which means I now get to go back and start the journey all over again (and make it look like this was the journey I had in mind all along).

The draft ended up about 20 percent longer than I estimated, based on the lengths of the first two Walter Sands books.  Do I need to streamline the novel?  How am I going to do that?  I have all these notes about stuff I left out!

Maybe I’ll take a break and focus on women’s curling for a while.  Then on to the second draft . . .

Two legs to darkclaw and weasel

That’s the title of a five-star review of Dover Beach on Barnes & Noble.  Here is the text of the review:

He kicks darckclaw into a tree and takes weasel to my house result twelve.

I dunno.  Somehow, this review did not make me all tingly and proud.  Those of you who are familiar with Dover Beach  will recall that it contains no weasels, and probably very few trees.

My publisher says I should respond to all my customer reviews, but I can’t figure out how to respond to Barnes & Noble reviews.  If I could respond, what should I say?

Thanks for the insightful comments!  Somehow, you have intuited deeper truths about my novel than even I have heretofore recognized.  For that, I will be forever grateful!

Does that work?  By the way, I Googled Darkclaw and found out that he is a character in Brian Jacques’s Redwall books, which my kids liked once upon a time.  I never thought they went anywhere, but I wasn’t a kid when I read them.

Meanwhile, here’s a review from Amazon that does make me tingly and proud.  It’s entitled “I won’t bore you with praise…”:

This is an incredibly good book. Clearly, the absolute best post apocalyptic detective novel I’ve ever read. I want more, Richard Bowker. More!

That’s more like it.  On the other hand, I was unaware that there are more post-apocalyptic detective novels out there.  That’s a little discouraging.  I thought I had cornered the market!

Authors are hard to please.

When it comes to customer reviews, it’s quantity, not quality, that counts

My publisher asked an analytics firm to study their sales data and determine the key factor that determines sales.  Here’s what they came up with:

When all the basics are covered, the number one factor determining sales is, without question, the number of reviews (not stars, but reviews). The more reviews, the more sales. In other words, “people are interested in buying what other people are interested in reviewing”. This is the basic definition of Social Engagement.

(The basics include a commercially viable book, a good cover, wide distribution, and good sales copy.)

I find this a bit hard to believe in its starkest form — if a book has 800 reviews that all say it stinks, I’m not going to buy it, and I don’t think you would, either.  But it makes sense as a rule of thumb.  So please review my books!  It doesn’t take long!  On Barnes & Noble, you don’t even have to say anything!  If you hate one of my books, I promise to do better next time!

My publisher also suggests that authors leave polite comments in response to reviews.

By establishing your presence among reviewers you accomplish several things.

1.    Your presence will temper reviewer responses because readers see that you’re watching.

2.    Reviewers will be anxious to leave a favorable review because they want you to talk to them (and they’ll expect it too, so consistency is key).

3.    If you create a reputation for talking to readers, they will talk back to you and (mostly) say nice things.

Overall, this back-and-forth effort creates social engagement, which increases reviews, which creates curiosity, which leads to sales and more reviews, which leads to more social engagement, all of which can lead to even more sales.

I didn’t know you could do this!  I actually can’t figure out how to it works on Barnes & Noble, but it’s easy enough on Amazon.  So if you leave me a review on Amazon, I will actually talk to you!  And if that isn’t exciting, I don’t know what is.

Is it just me, or are Nook customer reviews somewhat lacking?

. . . at least, compared to Amazon review.

That “Free Fridays” publicity got a lot of people downloading Dover Beach.  And some of them apparently have more free time on their hands than I do, because they’ve already left reviews.  Some are reasonably well written, but then there’s this sort of one-star review:

DO NOT EVER LEND LendMe BOOKS TO NON- EXISTIENT PEOPLE!!!!!! NEVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER EVER DO THAT!!!!!!!!!!!!

(I left out about 50 exclamation points.)

The good news is that only three of out of 73 people (currently) found this review helpful.  The bad news is that there are three people out there who found this review helpful.

Here is a one-star review that I’m actually OK with:

This was a weird book. It started out almost as if missing half of it or it was part 2 in a series. You just felt lost like they were talking about things that happened and you werent a part of it. There was no explanation for anything, while the premise might have been good, a little more explanation would have made this book much better. As is, it sucked. Woild not recommend at all. Terrible.

Somewhere on this blog I’ve probably mentioned that I made a conscious decision not to give the backstory of the war in whose aftermath this story takes place.  The war happened in someone else’s world; these characters inhabit another world altogether.  If that doesn’t work for a reader, my apologies. If you’re a Free Fridays reader, all you’ve lost is your time.

At least I can get some consolation from this.