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About Richard Bowker

Author of the Portal series, the Last P.I. series, and other novels

Future perfect

The deeper I get into the novel I’m working on, the more irrelevant my outline, and my earlier chapters, seem to become.  I’m now closing in on the halfway point, and I’m in a chapter that I had no clue would need to be written when I began the book.

I am a big fan of rewriting, and I long to go back and set myself straight about how the beginning of the novel really needs to work.  But that’s stupid–in another 20,000 words I might have a totally new set of changes to make.  So I litter my text with bracketed editorial notes reminding me about what has to change in the next draft.  Today I realized that I had neglected to give one of my characters a last name–it hadn’t seemed necessary way back when I introduced him, but his role in the novel keeps growing.  So my note says: [Scott will have been given a last name when he is introduced.]

If I have my grammatical terms correct, the verb tense I am using in these notes is the future perfect.  And that seems about right.  Someday my novel will be perfect; just not yet.

Sparkly mayonnaise jars and modern art

During my recent trip to Boston’s Museum of Fine Arts I took this photo of modern food items treated somehow to make them sparkle:

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I’m guessing this is a trenchant commentary on American consumerism.  But I could be wrong–the artist might just enjoy making mayonnaise jars and cracker boxes sparkle.  In either case I’m a bit baffled by why these objects are in a major art museum.

Seems to me you go to a museum like the MFA to view objects that you’ll want to view again and again.  Like this happy, wise statue:

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Or this famous Renoir (sorry for the tilty iPhone):

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I don’t think I’m cut out to be an art critic.

A photo of a statue and a painting of a girl looking at the statue

The Boston Museum of Fine Arts has a cute effect in one of its galleries.  On one of the walls is a realistic painting of people gazing at the paintings and statuary in that very gallery.  In the painting you see a girl looking at a statue, with the statue itself standing just a few feet away from the painting.  Here’s a photo of the statue and, in the background, the painting of the girl looking at the statue:

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Michelangelo drawings at the Museum of Fine Arts

The drawings are on loan from the Casa Buonarotti in Florence. Okay, my photographs could have been better. What do you want for free?  The light was dim to protect the drawings.

Cleopatra was my favorite. Notice the asp encircling her like a necklace:

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Here’s a famous Madonna and Child. That’s one well-fed baby:

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And here is a study for the head of the Madonna in some painting:

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Is that province “restive” or “resistive”?

A Washington Post article reprinted in today’s Boston Globe refers to Pakistan’s Baluchistan Province as resistive.  But the same article in the Post itself uses the more expected word restive.  What’s up with that?

Restive is a tough word–it provides you with two different ways to get it wrong.  Language mavens will tell us that it isn’t a synonym for restless–it means “difficult to control,” not “fidgety.”  But I’ve also seen it used as a synonym for restful.  Here, for example, we have an online thread about what to do when you’re able to get to sleep but your sleep isn’t “restive.”

The Globe seems to want to eliminate the confusion by changing the word to resistive, presumably meaning resistant, which I suppose also fits Baluchistan.  The dictionary will give you that definition for resistive, but it seems to be used that way mostly in technical contexts.  Of course maybe the Globe didn’t make the change.  It’s also possible the writers themselves used resistive; the Post corrected it, but the Globe didn’t bother.  Either way, this is probably one of those substitutions that show a word is on the way out.  The Google Ngram Viewer tells us that restive peaked in popularity around 1930 and has been on a downward slide ever since.  It’s a useful word, but it’s time may have passed.

Who doesn’t like busts of Roman emperors from the Museum of Fine Arts?

As a pre-Father’s Day treat I went to Buston’s Museum of Fine Arts with my son (the good one, not the other one).  I took lots of random photos.  Here are three photos of Roman emperors, in descending order of greatness. Plus a goddess.

This is a well-known bust of Augustus as a young man (it’s an idealized likeness from after his death):

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And here’s a somewhat placid-looking Hadrian:

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And here is the loser emperor Balbinus, who managed to rule as co-emperor for three whole months before the Praetorian Guard offed him (238 AD was not a great year to be a Roman emperor):

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As a special bonus image, here is a statue of the goddess Juno, which I am told is the largest Classical marble statue in North America.  I should have my good kid stand in front of her to show you her size.

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As they are want to do

I came across this mangling of the standard “as they are wont to do” in an award-winning book published by a mainstream publisher and written by a Pulitzer Prize-winning author.  (On the same page “pretension” came out “pretention.”)  I don’t recall encountering this usage before, but a Google search turns up 382,000 of ’em.  Plus 2.6 million occurrences of its cousin “as is their want”–this one actually outpolls “as is their wont,” which garners only 558,000 usages. (Google helpfully asks me if it didn’t really mean to search for “as is their want.”)  So this is an idiom that seems to be having an identity crisis.  I have a pit in my stomach just thinking about it.

Is baseball exciting?

Well no, not particularly.

The Boston Globe recently ran an article about the increasing length of baseball games and what could be done about it.  I made some suggestions about ways to improve baseball a while ago.  Surprisingly, none of these suggestions have been adopted.  The article mentions a good rule they had in the minors for a while that I hadn’t heard of–a strike was called if a batter stepped out of the batter’s box if he hadn’t swung at the previous pitch.  Great idea!  Nothing came of it.  And nothing has come of the existing major league rule that a pitcher has to deliver the ball to the batter within 12 seconds if there’s no one on base.  Why don’t umpires enforce this rule?

Even at its best, baseball is a deliberate game, with far more pauses than action.  At two-and-half-hours the game is delightful; at three-and-a-half hours you can only have the game on in the background while you’re doing something else–blogging, for example (Aceves has just walked the bases loaded vs. Tampa).

And then there’s hockey.  Bob Ryan of the Globe said the last minute of Game 4 of the Bruins-Penguins series probably took two years off his life, and I have to agree.  Hockey has its own problems, but lack of action is generally not one of them.

Let’s see if I can survive the Stanley Cup finals.

Farewell to Portal

Thanks to everyone who followed along with (or who is following along with) Portal.  The next step is to turn it into an ebook; that’s in process.  As usual, the biggest issue is what to do about the cover.  If anyone has any suggestions, I’d be happy to hear them.

Portal was my attempt to write a Young Adult novel, but I think I got a bit carried away.  The novel ended up longer, and the issues I covered were deeper, than I had intended.  I have no idea if modern-day young adults would have the patience for it.  Still, I enjoyed inhabiting its worlds for a while, and I enjoyed writing from Larry’s point of view.  Let me know what you think.

Here’s Chapter 1, if you’re just stopping by and have no idea what I’m talking about.

Is “The Double Helix” really the seventh greatest English-language nonfiction book of the 20th century?

That’s where it ranks in the Modern Library poll, just behind T.S. Eliot’s Selected Essays and just before Nabokov’s Speak, Memory.  The 60th anniversary of the publication of the Watson-Crick hypothesis has just passed, and Simon & Schuster have published an annotated/illustrated version of Watson’s account of the discover of the genetic code.

How do you judge a work of nonfiction?  I thoroughly enjoyed the book when I read it a couple of weeks ago (the annotations and illustrations really helped).  The events Watson describes were, of course, hugely important for our understanding of how life works.  And the approach Watson takes–showing how science really works, with people worrying about their grants and competing scientists, chasing girls and complaining about the lack of heat in their flats–is refreshing and eye-opening.

On the other hand, the writing, while perfectly competent, isn’t out of the ordinary.  And Watson doesn’t make much of an effort to give the reader any context about the nature of the problem he and Crick were trying to solve, why it was so important, and why it was so amenable to solution at just that point in history.  Turns out that The Double Helix wasn’t the best science book I read that week–The Immortal Life of Henrietta Lacks worked better for me both as a personal narrative and as an explanation of science.

The Modern Library list seems reasonable, although arbitrary.  It seems clear that they considered the significance of a book to its time (The Silent Spring), its contribution to human thought (A Theory of Justice), as well as its literary quality (A Room of One’s Own).  As usual, there were lots of books on the list that I haven’t read, and a few that I’ve never heard of.  I was pleased to see Samuel Johnson by Walter Jackson Bate come in at number 50.  Bate’s course on Johnson and his contemporaries was one of the best I took in college, and I recall a standing-room-only audience for his lecture on the death of Johnson, which was apparently legendary at Harvard.  I also can’t quarrel with The Education of Henry Adams as number 1.  It made a huge impression on me in college, and I recall that the last paper I wrote there was a comparison of Adams’s third-person narrative style with that of Norman Mailer.  (It’s interesting that Mailer doesn’t appear on either the fiction or the nonfiction list.  History has not treated him kindly, so far.)