You still have to wait till April 2 to get the e-book version of Home. But you can buy the paperback version now. How cool is that? It’s available from Amazon and Barnes and Noble, as well as probably other places I haven’t checked. Barnes and Noble will sell it to you for 10% off the already low list price; it also discounts the e-book.
Here’s what the book looks like, in case you forgot:
There’s a lot of value to getting sales up when a book is first published, so there’ll never be a better time to buy it (for the author, at least). And it goes without saying that reviews are extremely helpful as well.
By the way, this is the third book in my Portal series, but I think it stands pretty well on its own. Give it a try! Or buy all three!
Along with my novel, this week I said good-bye (I think) to my friend Jeff Carver’s novel (now split in two), which he’s been working on (and we in his writing group have been critiquing) since 2006 or so. That’s a lot of critiquing. And writing–I can’t imagine spending 12 years on a novel. But the result is really good–probably because I made a couple of pretty good suggestions over the years, along with a lot of dopey ones Jeff wisely ignored.
Now he needs to start the next novel in his Chaos Chronicles series. And he needs to finish it in 2019, dammit.
I’m pondering creating a “boxed set” of the ebooks for The Last P.I. series; it would sell for less than the three books sold individually.The mechanism is fairly straightforward; the only real extra work (and expense) is to create a new cover. There’s lots of this going on nowadays. My publisher says that it would make the series more attractive to Bookbub, which is the main advertising channel for ebooks nowadays. One more way to get the word out.
I read through my third draft, picking up more stuff along the way. The stuff keeps getting more and more trivial, but it’s real. Why did I type “here” instead of “hear” in one place? Why did I add the “ue” to “Epilogue” but not to “Prolog”? Why did I refer to the city as “Roma” everywhere but in one place, where I used “Rome”? Why did I waver between “goodbye” and “good-bye”?
More important, reading straight through let me spot places where I repeated a point I’d already made and places where I failed to make a point I wanted to make. The text feels smoother now. Somehow I managed to add another thousand words. Well, I guess I needed them.
Most important, I made final decisions about a few niggling issues that were bothering me. In a large, multi-viewpoint novel, you wonder if you have too many viewpoints, or not enough. Does the story hang together as you shift and shift and shift between viewpoints? In a novel that carries the story forward from two previous novels, have you resolved enough of the questions, have you provided satisfactory resolutions for enough of the characters?
Well, you’re never certain, but I’m pretty sure I’m done with this novel, except for a final proofing. Which means I now leave the characters, and the world, behind.
Turns out we now have paperback versions of my very fine novels Dover Beach and The Distance Beacons. (An old, used paperback of Dover Beach is also available, but I don’t get any money when you buy one of those copies, so where’s the fun in that?) The covers look remarkably like the covers of the ebooks:
So now, along with Where All the Ladders Start, you can buy paperback versions of all three of the very fine novels in my Last P.I. series. Need I point out that a series of private eye novels set in a dystopian future after a major societal breakdown would make the perfect gift for that special someone on Valentine’s Day?
Also, I can get you these novels cheaper than you can get them from Amazon, so if you need a few, let me know.